It’s the end of week 2, rehearsals are now well underway and the production of Tartuffe is slowly accruing the attributes that will, at some point, coalesce and take on a life of its own.
The actors are immersed in the exploration of their characters, while the Director is constructing the world they inhabit. Alongside this, the set and costumes are being made, and all the while I’m busy keeping things on track – recording the blocking and props notes, scheduling the production and liaising with the Company’s other departments (Workshop, Sound, Lighting, Wardrobe, Publicity, Administration) about the show’s requirements.
Back in the rehearsal room, at this stage everything that happens is an experiment. Damis needs to overhear a conversation between Tartuffe and Elmire. Will he hide in a cupboard, will he hide in plain sight or will he hide in somewhere in the architecture of the theatre?
While this debate takes place, I’m making sure that the cast members and Director have everything they need to keep experimenting and, at the same time, I’m keeping the production departments up to date as the show evolves. It’s a balancing act between keeping things outside the room moving forward, in terms of sourcing props and building the set, but not moving too far in case the parameters shift when an idea doesn’t take hold. It’s about finding the fulcrum that allows creative expression within a finite deadline.
At this point in the production, it’s important for Stage Management to remain flexible, because things are always being added, changed or cut at short notice. We have to allow the Creative team to play. However, it’s also critical that we have everything finished by opening night. Balancing the competing interests is not always easy, however if you are clear on exactly how long things will take, and know the latest point at which you really need a decision made, you can work out when the experimentation needs to move into something more solid.
For now, it doesn’t matter where Damis hides, but I know exactly when we need to start pushing for a decision. So until that crucial moment, I’ll give them the opportunity to play.